IJL Inspired: Interview with KickStart Winner, Bine Roth

Bine Roth’s jewellery plays with our senses with the ultimate focus on movement and wearability. Her designs, characterised by a combination of strong shapes and a serene lightness of movable chains which allow the designs to dance on the body, wowed the KickStart Judges!

We caught up with KickStart winner @binerothjewellery to discuss her beautiful work, inspirations and what you can expect to see from the brand at #IJL2019.

What made you want to apply to be a KickStarter at IJL 2019?

I am originally from Germany and have already started my business there before coming here. I have participated at ‘Brand New’ at Inhorgenta 2019 in Munich this spring. Having met Lindsey Straughton from NAJ at my stand, convinced me to take up this opportunity.

What are you most looking forward to during your KickStart experience?

KickStart will help me to get my business up to the next level. I am very excited to be part of the programme to meet international buyers, galleries, manufacturers as well as fellow designers.

Tell us about where you get your inspiration from?

Most of my initial designs are inspired by the curiosity of mankind and our relationship with our body and space. I have an immense passion for architecture. However, I also feel most of my friends are creatives, too. They are an inspiration to my work as well. I am constantly uplifted by their energy.

Tell us a little about the work you will be bringing to IJL 2019?

A few years ago, I have started a new collection during my residency at the School of Jewellery in Birmingham. Especially for IJL 2019, I have developed this collection further and started working on an extended pave collection. It is the upmost joy to be working on new designs. I am super excited to be showing this collection.

When did you first discover your love of jewellery?

I applied for an internship when I was in 10th grade. However, the jeweller in the town I grew up did not have any capacities to take on any interns. A couple of years later, I got accepted to do an internship in Switzerland which was super intense but it definitely set the starting point of my career.

Who would you love to see wearing your jewellery?

Paula Antonelli, Director of R&D at The Museum of Modern Art (MoMA), New York City

If you had to summarise your brand in a couple of words, what would you use?

Body-centric, architectural, minimal, dynamic


Make sure to register for your FREE ticket to IJL 2019 and pay a visit to the cutting-edge talent on the KickStart and Bright Young Gem collective stand in the prestigious design gallery.

Coloured gems outperform jewellery as investments

Coloured gemstones are outperforming the wider jewellery market as collectable investments, reflecting the extraordinary beauty and rarity of some gems and exceptional provenance, according to the Knight Frank Luxury Investment Index (KFLII).

At the high-value jewellery auctions in Geneva in May, many lots surpassed pre-sale estimates, especially extremely rare coloured gemstones and diamonds.

A top selling lot at the Christie’s sale held at the Four Seasons Hotel des Bergues on May 15, was an extraordinarily rare ruby of 22.86 carats set in a ring by Harry Winston. Attracting dynamic bidding, the ring, which was the property of a princess, sold for $7.2 million to an anonymous buyer, well above its $2.0-3.0 million pre-sale estimate.

Credit: Gemfields

“Rubies are not easy to find in large sizes,” chief auctioneer Rahul Kadakia told IJL after the sale. “A ruby of almost 23 carats, old-mine cut, with royal provenance, Harry Winston – all of that put together, this is the perfect situation for an auction.”

Royal Provenance

A supremely rare emerald with royal provenance was another top performer.

The Imperial Emerald of the Grand Duchess Vladimir of Russia, a pear-shaped Colombian emerald necklace of 75.61 carats, which was presented in a glass showcase in the salesroom, sold for $4.34 million, well above its $2.3-3.5 million estimate.

“Top quality coloured stones are all making the same sort of uptick (in value) if they are of comparable quality,” Kadakia said.

Credit: Gemfields

The KFLII report said: “Coloured gemstones continue to outperform the wider jewellery market.”

Nevertheless, signed items from high jewellery brands, such as Van Cleef & Arpels, Cartier, Harry Winston and Bulgari, still garner remarkable sales prices.

One standout was a Van Cleef & Arpels Burmese ruby and diamond necklace, which sold at Christie’s Geneva in May for $2.4 million, several times its $400,000-600,000 estimate. A matching Van Cleef & Arpels Burmese ruby and diamond bracelet fetched $1.58 million, around 10 times its estimate.

“A big selection of rubies – some 150 carats of matched rubies in perfectly graduated sizes, old Burma material, in a Van Cleef & Arpels necklace which was probably created in the 1950s or 1960s when there was a greater abundance of finer material to put together. A perfect auction moment,” Kadakia said.

A multi-gem necklace by JAR (Joel Arthur Rosenthal) sold for a hammer price of $380,000, outstripping a $100,000-150,000 estimate.

Among coloured gemstones at the Sotheby’s Geneva sale in May, rubies scored impressive results. A ring by Bulgari, featuring a ruby of 5.14 carats surrounded by diamonds, sold for $1.69 million, beating its $1.25-1.35 million estimate. At Bonhams’ London sale at the end of April, several coloured gemstone lots blew away their estimates.

The top performer was a 17.43-carat Kashmir sapphire ring, formerly owned by a European noble family, that fetched £723,063, far exceeding its £300,000 to £400,000 guide price.

The second highest performing lot was a diamond and sapphire transformable necklace by Spanish jeweller Grassy. Dated to around 1935 and featuring a 34.59-carat Sri Lankan (no heat) sapphire, the necklace sold for £287,562, against its pre-sale estimate of £120,000 to £180,000.

History of Appreciation of Coloured Gems

The appreciation of coloured gemstones dates back centuries, if not millennia, when they were worn for their talismanic properties and believed to be gifts from the gods. Roman emperors and empresses would wear them to cement their status, power and wealth.

But the discovery of diamond mines in South Africa in the 1870s, followed by powerful marketing campaigns, saw the likes of emeralds and rubies usurped by diamonds as the supposed ultimate symbol of beauty, love and wealth.

Renewed Fascination in Coloured Gems

The past decade, however, has seen a resurgence in the popularity of coloured gemstones. Take a look at the jewellery of British royalty: the Duchess of Cambridge’s deep blue sapphire engagement ring; Meghan Markle’s aquamarine ring; Princess Eugenie’s coral Padparadscha sapphire ring and Boucheron emerald Kokoshnik tiara. Each has sparked countless imitations and inspired thousands to look beyond the traditional diamond. 

In a Coloured Gemstones Special Report in the KFLII, Sean Gilbertson, CEO of coloured gemstone miner Gemfields, confirmed a markedly growing demand in the sector.

“The swing toward precious coloured gemstones is overwhelming, with robust demand prompting double-digit growth in many countries,” he said. “The past decade has seen the world record prices for an emerald and a ruby surpass that of a colourless diamond on a per carat basis. It surely can’t be long before sapphires overtake diamonds, too.”

Josina von dem Bussche-Kessell, global sales director at Fabergé, names two segments performing particularly well in the coloured gemstone market: “bespoke, custom-designed coloured gemstone jewellery pieces and everyday coloured gemstone designs.”

Much of the rising popularity of coloured gemstones is due to growing awareness (primarily via the internet and marketing) and developments that have boosted consumer confidence, such as widespread certification, more industry transparency, and gemmological analysis.

The discovery of new gemstone deposits in Mozambique and Zambia has seen a reliable supply of fine gemstones enter the market, spurring an increase in marketing. The power of this should not be underestimated.

Extracting ore from open pit to stock pile – credit Gemfields

In 1948, De Beers coined its “a diamond is forever” slogan to invent the modern-day engagement ring; in 2000, Le Vian saw sales rocket after rebranding previously dismissed brown diamonds as “chocolate” diamonds.

A comprehensive understanding is imperative to finding the right gem, too. Unlike diamonds, for example, where clarity is a crucial criterion, inclusions in coloured gemstones are accepted as these give each stone their unique character.

The latter is crucial, says Jean Ghika, global head of jewellery at Bonhams. “The rarity factor is an undeniable pull,” she said.

“Potential buyers are looking to expand their collections beyond colourless diamonds. They’re keen to seek out the very best examples of highly desirable and rare specimens, whether that be Kashmir sapphires, Burma rubies or no-oil emeralds, the likes of which they may never find again.”

Elliot Brown returns to IJL with launch of RNLI Watches

British adventure watch brand, Elliot Brown, is to exhibit at International Jewellery London (IJL) on stand D21a in the Watch District this September – revealing two new RNLI special edition watches designed in close collaboration with the Royal National Lifeboat Institution (RNLI).  For each special edition RNLI watch sold, Elliot Brown will pay £35 in support of the RNLI.

The collaboration follows in the footsteps of successful partnerships with Mountain Rescue England & Wales, The Fire Service and British Armed Forces; through which significant sums have been donated to charity by Elliot Brown.   

The special edition RNLI Canford and Kimmeridge watches both feature a watch face influenced by the iconic Lifeboat colours along with subtle white and blue 12h markers giving a unique reference to the white and blue boat hooks still carried by every life boat since the beginning of the service. The historical reference continues on the case-back where special permission was granted to feature the original RNLI anchor and the fitting words of Sir William Hillary; “With courage nothing is impossible”.

With the launch of these watches at IJL, Elliot Brown brings support for this national institution to your door and strengthens its role as a long-term influencer in the British watch industry.

Showcasing the best in luxury watch design and craftsmanship, IJL runs from 1st to 3rd September at Olympia London.

Elliot Brown Co-Founder, Ian Elliot, says: “As watersports enthusiasts and makers of some of the world’s most durable watches, our collaboration with the RNLI feels both natural and appropriate.  Our strong connections with emergency services  and specialist military units create credible brand stories that are truly exciting for consumers in today’s tech-heavy, fashion accessory environments. Elliot Brown’s recipe is simple and unique: incredible build quality, unique brand story and the best back-up in the business.”

Like all Elliot Brown watches, the two special edition RNLI models are robust yet elegant; boasting shock absorbtion for the Swiss-made movement, water pressure testing at 200m for every watch and a locking inner rotating bezel on the Canford, suitable for professional timing duties.

IJL Stand details: Stand No: D21a in the Watch District.

International Jewellery London Celebrates the Best of British with Jeweller of the Fair

International Jewellery London have announced a new, exciting trade accolade with the introduction of The Jeweller of the Fair. This year’s honour, which was created to shine a light on the UK’s best and brightest talent, will go to Artist Jeweller John Moore.

John Moore, winner of two IJL-supported Goldsmith Company Gold Awards (2016 and 2019), was selected because the complexity and engineering dexterity of his creative jewellery couture. John is universally acknowledged as a highly skilled artisan and visitors to IJL will get the opportunity to interact with his work across a wide range of platforms.

John Moore, Artist Jeweller and IJL Jewellery of the Fair 2019 said:“I was thrilled to win this year’s IJL award and it’s a huge honour to be the first IJL Jeweller of the Fair. IJL, together with The Goldsmiths Craft and Design Council, plays such a vital role in supporting the jewellery trade. I’m excited to share my work and meet the talented new designers at the show.”

Commenting on the new accolade, IJL Event Director, Katie Morris, said: “John is quite simply a Great British designer; his work is ambitious, thought-provoking and devastatingly beautiful. We are so excited to be working with him to promote his inherent design skill and excellence. John is the first of many dynamic designers that we will highlight with this annual accolade and we’re confident that visitors will enjoy consuming his creativity during this year’s show.”

John’s creative, contemporary jewellery will be displayed across the show as follows:

  • Branded jewellery displays across the show
  • Social media promotion across IJL channels
  • Dedicated, curated catwalk show (Monday 2 September, 13.45.- 14.30)
  • Q&A as part of the IJL seminar programme (Monday 2 September)
  • VIP Drinks reception (Monday 2 September)
  • Exclusive feature in IJL’s Inspire magazine

John won his Gold Goldsmiths Award for a piece commissioned by Tuan Lee, a prolific and discerning jewellery collector based between Singapore and London. Gold awards are not given out every year by Goldsmiths; they are only presented when the judges deem that work of a high enough standard has been presented.

Other awards John Moore has received include IJL Editor’s Choice Award for Technical Excellence- International Jewellery London 2016, WCC Europe EUNIQUE Award 2011. World Crafts Council, Finalist for Young Designer of the Year 2011 and Kayman Award 2008 – National Association of Jewellery (formerly the British Jewellers Association – BJA).

His work is displayed in art galleries around the world including The Mint Museum, Charlotte, North Carolina, USA, The Nelson-Atkins Museum of Art, Kansas City, Missouri, USA, Spencer Museum of Art, Lawrence, Kansas, USA and National Glass Centre, Sunderland, UK.

John’s work is highly prized by international collectors. Private collectors of his work include Tiqui Atencio, Tuan Lee, Olnick Spanu Collection, Lady Helen Hamlyn, Robert Hiller, Dr Sarah Siegler and Suzanne Sanders.

Find out more about John Moore’s inspiring, individual artistic jewellery pieces at https://www.johnmoorejewellery.com/

The Jeweller of the Fair will be an annual award, with the show’s directorial team reviewing the industry to select designers who create inspirational and aspirational pieces. The selected designer will be celebrated across a variety of channels each year to draw attention to their individual talent, as well as flying the flag for Great British design flair and skill.


Book your FREE ticket to International Jewellery London, 1 – 3 September 2019, and be inspired by cutting-edge design talent.

IJL Inspired: Interview with KickStart Winner, Bine Roth

Bine Roth’s jewellery plays with our senses with the ultimate focus on movement and wearability. Her designs, characterised by a combination of strong shapes and a serene lightness of movable chains which allow the designs to dance on the body, wowed the KickStart Judges!

We caught up with KickStart winner @binerothjewellery to discuss her beautiful work, inspirations and what you can expect to see from the brand at #IJL2019.

What made you want to apply to be a KickStarter at IJL 2019?

I am originally from Germany and have already started my business there before coming here. I have participated at ‘Brand New’ at Inhorgenta 2019 in Munich this spring. Having met Lindsey Straughton from NAJ at my stand, convinced me to take up this opportunity.

What are you most looking forward to during your KickStart experience?

KickStart will help me to get my business up to the next level. I am very excited to be part of the programme to meet international buyers, galleries, manufacturers as well as fellow designers.

Tell us about where you get your inspiration from?

Most of my initial designs are inspired by the curiosity of mankind and our relationship with our body and space. I have an immense passion for architecture. However, I also feel most of my friends are creatives, too. They are an inspiration to my work as well. I am constantly uplifted by their energy.

Tell us a little about the work you will be bringing to IJL 2019?

A few years ago, I have started a new collection during my residency at the School of Jewellery in Birmingham. Especially for IJL 2019, I have developed this collection further and started working on an extended pave collection. It is the upmost joy to be working on new designs. I am super excited to be showing this collection.

When did you first discover your love of jewellery?

I applied for an internship when I was in 10th grade. However, the jeweller in the town I grew up did not have any capacities to take on any interns. A couple of years later, I got accepted to do an internship in Switzerland which was super intense but it definitely set the starting point of my career.

Who would you love to see wearing your jewellery?

Paula Antonelli, Director of R&D at The Museum of Modern Art (MoMA), New York City

If you had to summarise your brand in a couple of words, what would you use?

Body-centric, architectural, minimal, dynamic


Make sure to register for your FREE ticket to IJL 2019 and pay a visit to the cutting-edge talent on the KickStart and Bright Young Gem collective stand in the prestigious design gallery.

Coloured gems outperform jewellery as investments

Coloured gemstones are outperforming the wider jewellery market as collectable investments, reflecting the extraordinary beauty and rarity of some gems and exceptional provenance, according to the Knight Frank Luxury Investment Index (KFLII).

At the high-value jewellery auctions in Geneva in May, many lots surpassed pre-sale estimates, especially extremely rare coloured gemstones and diamonds.

A top selling lot at the Christie’s sale held at the Four Seasons Hotel des Bergues on May 15, was an extraordinarily rare ruby of 22.86 carats set in a ring by Harry Winston. Attracting dynamic bidding, the ring, which was the property of a princess, sold for $7.2 million to an anonymous buyer, well above its $2.0-3.0 million pre-sale estimate.

Credit: Gemfields

“Rubies are not easy to find in large sizes,” chief auctioneer Rahul Kadakia told IJL after the sale. “A ruby of almost 23 carats, old-mine cut, with royal provenance, Harry Winston – all of that put together, this is the perfect situation for an auction.”

Royal Provenance

A supremely rare emerald with royal provenance was another top performer.

The Imperial Emerald of the Grand Duchess Vladimir of Russia, a pear-shaped Colombian emerald necklace of 75.61 carats, which was presented in a glass showcase in the salesroom, sold for $4.34 million, well above its $2.3-3.5 million estimate.

“Top quality coloured stones are all making the same sort of uptick (in value) if they are of comparable quality,” Kadakia said.

Credit: Gemfields

The KFLII report said: “Coloured gemstones continue to outperform the wider jewellery market.”

Nevertheless, signed items from high jewellery brands, such as Van Cleef & Arpels, Cartier, Harry Winston and Bulgari, still garner remarkable sales prices.

One standout was a Van Cleef & Arpels Burmese ruby and diamond necklace, which sold at Christie’s Geneva in May for $2.4 million, several times its $400,000-600,000 estimate. A matching Van Cleef & Arpels Burmese ruby and diamond bracelet fetched $1.58 million, around 10 times its estimate.

“A big selection of rubies – some 150 carats of matched rubies in perfectly graduated sizes, old Burma material, in a Van Cleef & Arpels necklace which was probably created in the 1950s or 1960s when there was a greater abundance of finer material to put together. A perfect auction moment,” Kadakia said.

A multi-gem necklace by JAR (Joel Arthur Rosenthal) sold for a hammer price of $380,000, outstripping a $100,000-150,000 estimate.

Among coloured gemstones at the Sotheby’s Geneva sale in May, rubies scored impressive results. A ring by Bulgari, featuring a ruby of 5.14 carats surrounded by diamonds, sold for $1.69 million, beating its $1.25-1.35 million estimate. At Bonhams’ London sale at the end of April, several coloured gemstone lots blew away their estimates.

The top performer was a 17.43-carat Kashmir sapphire ring, formerly owned by a European noble family, that fetched £723,063, far exceeding its £300,000 to £400,000 guide price.

The second highest performing lot was a diamond and sapphire transformable necklace by Spanish jeweller Grassy. Dated to around 1935 and featuring a 34.59-carat Sri Lankan (no heat) sapphire, the necklace sold for £287,562, against its pre-sale estimate of £120,000 to £180,000.

History of Appreciation of Coloured Gems

The appreciation of coloured gemstones dates back centuries, if not millennia, when they were worn for their talismanic properties and believed to be gifts from the gods. Roman emperors and empresses would wear them to cement their status, power and wealth.

But the discovery of diamond mines in South Africa in the 1870s, followed by powerful marketing campaigns, saw the likes of emeralds and rubies usurped by diamonds as the supposed ultimate symbol of beauty, love and wealth.

Renewed Fascination in Coloured Gems

The past decade, however, has seen a resurgence in the popularity of coloured gemstones. Take a look at the jewellery of British royalty: the Duchess of Cambridge’s deep blue sapphire engagement ring; Meghan Markle’s aquamarine ring; Princess Eugenie’s coral Padparadscha sapphire ring and Boucheron emerald Kokoshnik tiara. Each has sparked countless imitations and inspired thousands to look beyond the traditional diamond. 

In a Coloured Gemstones Special Report in the KFLII, Sean Gilbertson, CEO of coloured gemstone miner Gemfields, confirmed a markedly growing demand in the sector.

“The swing toward precious coloured gemstones is overwhelming, with robust demand prompting double-digit growth in many countries,” he said. “The past decade has seen the world record prices for an emerald and a ruby surpass that of a colourless diamond on a per carat basis. It surely can’t be long before sapphires overtake diamonds, too.”

Josina von dem Bussche-Kessell, global sales director at Fabergé, names two segments performing particularly well in the coloured gemstone market: “bespoke, custom-designed coloured gemstone jewellery pieces and everyday coloured gemstone designs.”

Much of the rising popularity of coloured gemstones is due to growing awareness (primarily via the internet and marketing) and developments that have boosted consumer confidence, such as widespread certification, more industry transparency, and gemmological analysis.

The discovery of new gemstone deposits in Mozambique and Zambia has seen a reliable supply of fine gemstones enter the market, spurring an increase in marketing. The power of this should not be underestimated.

Extracting ore from open pit to stock pile – credit Gemfields

In 1948, De Beers coined its “a diamond is forever” slogan to invent the modern-day engagement ring; in 2000, Le Vian saw sales rocket after rebranding previously dismissed brown diamonds as “chocolate” diamonds.

A comprehensive understanding is imperative to finding the right gem, too. Unlike diamonds, for example, where clarity is a crucial criterion, inclusions in coloured gemstones are accepted as these give each stone their unique character.

The latter is crucial, says Jean Ghika, global head of jewellery at Bonhams. “The rarity factor is an undeniable pull,” she said.

“Potential buyers are looking to expand their collections beyond colourless diamonds. They’re keen to seek out the very best examples of highly desirable and rare specimens, whether that be Kashmir sapphires, Burma rubies or no-oil emeralds, the likes of which they may never find again.”

Elliot Brown returns to IJL with launch of RNLI Watches

British adventure watch brand, Elliot Brown, is to exhibit at International Jewellery London (IJL) on stand D21a in the Watch District this September – revealing two new RNLI special edition watches designed in close collaboration with the Royal National Lifeboat Institution (RNLI).  For each special edition RNLI watch sold, Elliot Brown will pay £35 in support of the RNLI.

The collaboration follows in the footsteps of successful partnerships with Mountain Rescue England & Wales, The Fire Service and British Armed Forces; through which significant sums have been donated to charity by Elliot Brown.   

The special edition RNLI Canford and Kimmeridge watches both feature a watch face influenced by the iconic Lifeboat colours along with subtle white and blue 12h markers giving a unique reference to the white and blue boat hooks still carried by every life boat since the beginning of the service. The historical reference continues on the case-back where special permission was granted to feature the original RNLI anchor and the fitting words of Sir William Hillary; “With courage nothing is impossible”.

With the launch of these watches at IJL, Elliot Brown brings support for this national institution to your door and strengthens its role as a long-term influencer in the British watch industry.

Showcasing the best in luxury watch design and craftsmanship, IJL runs from 1st to 3rd September at Olympia London.

Elliot Brown Co-Founder, Ian Elliot, says: “As watersports enthusiasts and makers of some of the world’s most durable watches, our collaboration with the RNLI feels both natural and appropriate.  Our strong connections with emergency services  and specialist military units create credible brand stories that are truly exciting for consumers in today’s tech-heavy, fashion accessory environments. Elliot Brown’s recipe is simple and unique: incredible build quality, unique brand story and the best back-up in the business.”

Like all Elliot Brown watches, the two special edition RNLI models are robust yet elegant; boasting shock absorbtion for the Swiss-made movement, water pressure testing at 200m for every watch and a locking inner rotating bezel on the Canford, suitable for professional timing duties.

IJL Stand details: Stand No: D21a in the Watch District.

International Jewellery London Celebrates the Best of British with Jeweller of the Fair

International Jewellery London have announced a new, exciting trade accolade with the introduction of The Jeweller of the Fair. This year’s honour, which was created to shine a light on the UK’s best and brightest talent, will go to Artist Jeweller John Moore.

John Moore, winner of two IJL-supported Goldsmith Company Gold Awards (2016 and 2019), was selected because the complexity and engineering dexterity of his creative jewellery couture. John is universally acknowledged as a highly skilled artisan and visitors to IJL will get the opportunity to interact with his work across a wide range of platforms.

John Moore, Artist Jeweller and IJL Jewellery of the Fair 2019 said:“I was thrilled to win this year’s IJL award and it’s a huge honour to be the first IJL Jeweller of the Fair. IJL, together with The Goldsmiths Craft and Design Council, plays such a vital role in supporting the jewellery trade. I’m excited to share my work and meet the talented new designers at the show.”

Commenting on the new accolade, IJL Event Director, Katie Morris, said: “John is quite simply a Great British designer; his work is ambitious, thought-provoking and devastatingly beautiful. We are so excited to be working with him to promote his inherent design skill and excellence. John is the first of many dynamic designers that we will highlight with this annual accolade and we’re confident that visitors will enjoy consuming his creativity during this year’s show.”

John’s creative, contemporary jewellery will be displayed across the show as follows:

  • Branded jewellery displays across the show
  • Social media promotion across IJL channels
  • Dedicated, curated catwalk show (Monday 2 September, 13.45.- 14.30)
  • Q&A as part of the IJL seminar programme (Monday 2 September)
  • VIP Drinks reception (Monday 2 September)
  • Exclusive feature in IJL’s Inspire magazine

John won his Gold Goldsmiths Award for a piece commissioned by Tuan Lee, a prolific and discerning jewellery collector based between Singapore and London. Gold awards are not given out every year by Goldsmiths; they are only presented when the judges deem that work of a high enough standard has been presented.

Other awards John Moore has received include IJL Editor’s Choice Award for Technical Excellence- International Jewellery London 2016, WCC Europe EUNIQUE Award 2011. World Crafts Council, Finalist for Young Designer of the Year 2011 and Kayman Award 2008 – National Association of Jewellery (formerly the British Jewellers Association – BJA).

His work is displayed in art galleries around the world including The Mint Museum, Charlotte, North Carolina, USA, The Nelson-Atkins Museum of Art, Kansas City, Missouri, USA, Spencer Museum of Art, Lawrence, Kansas, USA and National Glass Centre, Sunderland, UK.

John’s work is highly prized by international collectors. Private collectors of his work include Tiqui Atencio, Tuan Lee, Olnick Spanu Collection, Lady Helen Hamlyn, Robert Hiller, Dr Sarah Siegler and Suzanne Sanders.

Find out more about John Moore’s inspiring, individual artistic jewellery pieces at https://www.johnmoorejewellery.com/

The Jeweller of the Fair will be an annual award, with the show’s directorial team reviewing the industry to select designers who create inspirational and aspirational pieces. The selected designer will be celebrated across a variety of channels each year to draw attention to their individual talent, as well as flying the flag for Great British design flair and skill.


Book your FREE ticket to International Jewellery London, 1 – 3 September 2019, and be inspired by cutting-edge design talent.